Digital Art Mediography

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Art Projects

0100101110101101.org. "Life Sharing" 2000-2003.

Arcangel, Cory. "Data Diaries" 2002. 

Arcangel, Cory. "Super Mario Clouds" 2002.

Bookchin, Natalie. "The Intruder" 1999.

Brucker-Cohen, Jonah and Katherine Moriwaki. "Umbrella.net" 2005.

Bunting, Heath and Kayle Brandon. "BorderXing" 2002.

Chatonsky, Gregory. "Marathon.55 cache memory" 2003. 

Cheang, Shu Lea. "Brandon" 1998.

Cosic, Vuk. "ASCII History of Moving Images" 1999.

Drouhin, Reynald. "IP Monochrome" 2006-Present.

Electronic Disturbance Theater. "Zapatista Tactical FloodNet" 1998.

Etoy. "etoy.SHARE" 2000.

Flanagan, Mary. "domestic" 2003.

Galloway, Alex. "Prepared Playstation"

Goldberg, Ken. "Telegarden" 1995.

Harris, Johnathan. "We Feel Fine" 2006.

Institute for Applied Autonomy. "iSee" 2001.

Jeremijenko, Natalie. "A-trees" 1999.

Jodi. "wwwwwwwww.jodi.org" 1993.

Kaiser, Paul and Shelley Eshkar. "Pedestrian" 2001-2002.

Kasonen, Tuulia. "Web Wide Wit" 2006-Present.

Klima, John. "Glasbead" 1999-2000.

Knowbotic Research and Peter Sandbichler. "Minds of Concern::Breaking News" 2002.

Levin, Golan, and Scott Gibbons, Gregory Shakar, and Yasmin Sohrawardy. "Dialtones: A Telesymphony" 2001.

Lialina, Olia. "My Boyfriend Came Back from the War" 1996.

Lozano-Hemmer, Rafael. "Vectorial Elevation" 1999.

McCoy, Kevin and Jennifer McCoy. "Horror Chase", 2002.

Mouchette. "Mouchette.org" 1996-Present.

MTAA. "1 year performance video (aka samHsiehUpdate)" 2004-2005.

Murthy, Prema. "Bindigirl" 1999.

Murthy, Prema. "Mythic Hybrid" 2002.

Napier, Mark. "Shredder 1.0" 1998.

Obadike Mendi, and Keith Obadike. "The Pink of Stealth" 2003.

Obadike, Keith. "Blackness for Sale" 2001.

On, Josh. "TheyRule" 2004.

Peretti, Jonah and Chelsea Peretti. "Black People Love Us" 2002.

Pollack, Anat and Adam Goode. "Echo & Narcissus" 2003. 

radioqualia. "Free Radio Linux" 2002.

Raqs Media Collective. "OPUS" 2001.

Radical Software Group. "Carnivore" 2001.

RTMark. "www.rtmark.com" 1996-2002.

Schleiner, Anne-Marie and Joan Leandre, and Brody Condon. "Velvet Strike" 2002.

Shulgin, Alexi. "386 DX" 1998.

Simon Jr., John F. "aLife" 2003.

Sollfrank, Cornelia. "Female Extension" 1997.

Spiers, Ian. "Brown Equals Terrorist" 2004-2005.

Staehle, Wolfgang. "Empire 24/7" 2001.

Stone, Reva. "Carnevale 3.0" 2000-2002.

Torolab. "The Region of the Transborder Trousers (La región de los pantalones transfronterizos)" 2004-2005.

Young-Hae Chang Heavy Industries. "Bust Down the Doors" 2000.

Books and Articles

Antin, David. "Video: The Distinctive Features of the Medium." Video Culture. Ed. Hanhardt, John. Rochester, NY: Visual Studies Workshop Press, 1986. 147-166.

Alberro, Alexander, Stimson, Blake, Eds. Conceptual Art: A Critical Anthology. Cambridge, MA: MIT Press, 1999.

Baudrillard, Jean. "Requiem for the Media." The New Media Reader. Eds. Wardrip-Fruin, Noah, and Nick Montfort. Cambridge, MA : MIT Press, 2004. 277-288.

Blissett, Luther. "0100101110101101.ORG--art.hacktivism." Subsol. 5 Mar. 2008.

Blissett, Luther. "The XYZ of Net Activism." Subsol. 5 Mar. 2008.

Bosma, Josephine, ed. ReadMe!, ASCII Culture and the Revenge of Knowledge. New York: Autonomedia, 1999.

Bush, Vannevar. "As We May Think." The New Media Reader. Eds. Wardrip-Fruin, Noah, and Nick Montfort. Cambridge, MA : MIT Press, 2004. 35-47.

Critical Art Ensemble, "Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production." Critical Issues in Electronic Media. Ed. Penny, Simon. Albany, NY: SUNY Press, 1994.

Chandle, Annmarie and Norie Neumark, eds. At a Distance. Cambridge, MA: MIT Press, 2005.

Dietmar Elger, Dadaism. Cologne: Taschen, 2004.

Dillon, George. "Dada Photomontage and net.art Sitemaps." Postmodern Culture 10.2 (2000).

Elger, Dietmar. Dadaism. Cologne: Taschen, 2004.

Enzensberger, Hans Magnus. "Constituents of a Theory of the Media." The New Media Reader. Eds. Wardrip-Fruin, Noah, and Nick Montfort. Cambridge, MA : MIT Press, 2004. 259-275.

Fuller, Matthew. Media Ecologies. Cambridge, MA : MIT Press, 2005.

Galloway, Alex. "Possibility." Subsol. 5 Mar. 2008.

Galloway, Alexander. "Tactical Media: Internet Art." Protocol: How Control Exists After Decentralization. Cambridge, MA: MIT Press, 2004. 174-239.

Greene, Rachel. "Web Work: A History of Internet Art." Artforum, 2000: 162-167

Griffiths, Richard T. "Chapter One: The Origins and Growth of The Internet and the World Wide Web." History of the Internet, Internet for Historians..  Leiden University.  2002.  23 Jan 2008.

Griffiths, Richard T. "Chapter Two: From ARPANET to World Wide Web." History of the Internet, Internet for Historians..  Leiden University.  2002.  23 Jan 2008.

Huelsenbeck, Richard, ed. The Dada Almanac. London: Atlas Press, 1993. i-xv, 9-15.

Kaprow, Alan. "'Happenings' in the New York Scene." The New Media Reader. Eds. Wardrip-Fruin, Noah, and Nick Montfort. Cambridge, MA : MIT Press, 2004. 83-88.

Kluver, Billy, et al. "Four Selections by Experiments in Art and Technology." The New Media Reader. Eds. Wardrip-Fruin, Noah, and Nick Montfort. Cambridge, MA : MIT Press, 2004. 211-226.

Lehrman, Paul, "Reconstructing Ballet Mécanique: An interview with Paul Lehrman." Interview with Preston Wright. American Public Media. 2003.

Lewitt, Sol. "Paragraphs on Conceptual Art." Conceptual Art: A Critical Anthology. Eds. Alberro, Alexander, Stimson, Blake. Cambridge, MA: MIT Press, 1999. 12-16.

Lewitt, Sol. "Sentences on Conceptual Art." Conceptual Art: A Critical Anthology. Eds. Alberro, Alexander, Stimson, Blake. Cambridge, MA: MIT Press, 1999. 106-108.

Lippard, Lucy. "New York Pop." Pop Art. London: Thames & Hudson. 1968. 69-138.

Lister, Martin, et al. "The Characteristics of New Media." New Media: A Critical Introduction. London: Routledge, 2003. 9-90.

Livingstone, Marco. Pop Art: A Continuing History . New York: Thames & Hudson, 2000.

Lovink, Geert. "Race and Cyberspace: Interview with Lisa Nakamura." Frontiers: A Journal of Women Studies 26.1 (2005) 60-65

Manovich, Lev. "Generation Flash." File Festival Symposium. SÃo Paulo. Aug 2003.

Miller, Paul D. "Uncanny/Unwoven." DJ Spooky Website. 5 Mar. 2008.

Nakamura, Lisa. "Race In/For Cyberspace: Identity Tourism and Racial Passing on the Internet." Cyberreader. Ed. Vitanza, V.J. Needham Heights, MA: Allyn & Bacon, 1999. 442-453.

Nelson, Theodor et al. "From Software--Information Technology: Its New Meaning for Art." Conceptual Art: A Critical Anthology. Eds. Alberro, Alexander, Stimson, Blake. Cambridge, MA: MIT Press, 1999. 247-257.

Nguyen, Mimi. "Tales of an Asiatic Geek Girl: Slant from Paper to Pixels." Technicolor: Race, Technology, and Everyday Life. Eds. Nelson, Alondra and Thuy Linh N. Tu. New York : New York University Press, 2001. 177 - 190.

"Oh, To Be Popular: Modernism and Populism" American Public Media. Narr. and Writ Vega, Suzanne and Michael Tilson Thomas.

Paul, Christiane. Digital Art (World of Art). New York: Thames & Hudson, 2003

Perloff, Marjorie. The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture. University of Chicago Press, 1986.

Richter, Hans. Dada, Art and Anti-Art. Oxford: Oxford University Press, 1978.

Smith, Roberta. "Conceptual Art." Concepts Of Modern Art. Ed. Stangos, Nikos. London: Thames & Hudson, 1994. 256-270.

Sofia, Zoë. "Contested Zones: Futurity and Technological Art." Women, Art, and Technology. Eds. Malloy, Judy and Pat Bentson. Cambridge, MA : MIT Press, 2003. 503 - 522.

Tribe, Mark and Reena Jana. New Media Art. Cologne: Taschen, 2006.

VNS Matrix. "The Cyberfeminist Manifesto." Prefiguring Cyberculture: An Intellectual History. Eds. Tofts, Darren, and Annemarie Jonson and Alessio Cavallaro. Cambridge, MA : MIT Press, 2004. 206.

Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction." Illuminations. Trans. Harry Zohn. London: Fontana, 1992. 211-244.

Warburton, Nigel. "Art and Philosophy." The Art Question. London: Routledge, 2003. 1-8.

Warburton, Nigel. "Institutional Contexts." The Art Question. London: Routledge, 2003. 87-120.

Whiteley, Nigel. "Pop since 1949: Lawrence Alloway," Artforum, Oct 2004.

Wray, Stefan. "On Electronic Civil Disobedience." Paper presented to the Socialist Scholars Conference, New York, March, 1998.

Wright, Guy and Glenn Suokko. "Andy Warhol: An Artist and His Amiga: A Conversation About Art and the Amiga with Artist Andy Warhol." AmigaWorld, Jan/Feb 1986.

Exhibits

Connor, Michael. "Raiders of the Lost ArtBase," 2005.

Hershman, Lynn. "Hershmanlandia," 2005.

Manetas, Miltos. "Whitney Biennial," 2004.

Zenith Media Lounge/The New Museum. "Open Source Art Hack," 2002.

Film and Video

Acconci, Vito. Theme Song, 1973.

Acconci, Vito. Undertone. 1972.

Birnbaum, Dara. Technology Transformation: Wonder Woman, 1978.

Blumenthal, Lya. Fact Is Stranger Than Fiction, 1987.

Braderman, Joan. Joan Does Dynasty, 1993.

Bureau of Inverse Technology. Suicide Box, 1996.

Campus, Peter. Double Vision, 1971.

Cokes, Tony. Black September, 2003.

Cokes, Tony. Pause, 2004.

Cokes, Tony. Shrink, 2004.

Fusco, Coco and Paula Heredia. The Couple in the Cage: A Guatinaui Odyssey, 1993.

Look. Dir. Adam Rifkin. Captured Films, 2007.

Leger, Fernand and Dudley Murphy. The Ballet Mècanique, 1924.

Nauman, Bruce. Bouncing in the Corner #1, 1968.

Nauman, Bruce. Violin Turned D.E.A.D., 1968.

Rivera, Alex. Papapapa, 1996.

Rosler, Martha. If It's Too Bad to Be True, It Could Be DISINFORMATION, 1985.

Rosler, Martha. Semiotics of the Kitchen, 1975.

Serra, Richard. TV Delivers People, 1971.

Tribe, Kerry. Here & Elsewhere, 2002.

Warhol, Any. Empire, 1964.

Web Sites

Brucker-Cohen, Jonah. Coin-op. 2008 (11 February, 2008)

Debatty, Regine. We-Make-Money-Not-Art 2008 (11 February, 2008)

Eyebeam. Eyebeam Reblog 2008 (11 February, 2008)

MTAA. MTAA Reference Resource 2008 (11 February, 2008)

Rhizome. Rhizome.org 2008 (11 February, 2008)

Technorati. Technorati.com 2008 (11 February, 2008)

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