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- Carlson, Scott. "In the Copyright Wars, This Scholas Sides With the Anarchists: NYU's Siva Vaidhyanathan wants to keep the stuff of culture out of the hands of the information oligarchs" The Chronicle of Higher Education: Information Technology: November 19, 2004.
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- Digital Connections Council of the Committee for Economic Development. "Promoting Innovation and Economic Growth: The Special Problem of Digital Intellectual Property" March 2004. Also available at http://www.ced.org/docs/report/report_dcc.pdf
- Doctorow, Cory. "Microsoft Research DRM Talk" Also available at http://craphound.com/msftdrm.txt
- Free Expression Policy Project, The. "The Progress of Science and Useful Arts: Why Copyright Today Threatens Intellectual Freedom" Also available at http://www.fepproject.org/policyreports/copyright2dexsum.html
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*Thompson, Clive. "Saving the World, One Video Game at a Time." New York Times, July 23, 2006.
*De Landa, Manuel. War in the Age of Intelligent Machines. Chapter 3: "Policing the Spectrum". New York: Swerve Editions, 1991. Available here: DeLandaPolicingTheSpectrum.pdf
*Deleuze, Gilles. "Postscript on Societies of Control.'' October 59, Winter 1992.
*Downs, David. "Dragnet, Reinvented." Wired: March 2006.
*Hansell, Saul. "Marketers Trace Paths Users Leave on Internet." New York Times: August 15, 2006.
*Hultkrans, Andrew. "Here's Looking at You, Kid: Surveillance in the Cinema." Originally published by Stim, an early web magazine: http://www.stim.com/Stim-x/7.1/SurvFilms/SurvFilms.html
*Liptak, Adam. "Expunged Criminal Records Live to Tell Tales." New York Times: October 17, 2006.
*Liptak, Adam. "Judge Hears Arguments on Federal Spying Program." New York Times: September 6, 2006.
*Mindlin, Alex. "You've Got Someone Reading Your E-Mail." New York Times: June 12, 2006.
*Mulvey, Laura. "Visual Pleasure and Narrative Cinema." Screen, (August 1975), vol 16, no. 3. A printer-friendly Word version is downloadable here: VisualPleasureAndNarrativeCinema.doc. A version with helpful definitions is available here: http://www.nwe.ufl.edu/~lhodges/vpnc.html
*Rosenbloom, Stephani. "I Spy; Doesn't Everyone?." New York Times: September 7, 2006.
*Zjawinski, Sonia. "U R Bu5t3d!." Wired: March 2006.
*Freeley, Jim. "Lights! Camera! Vodcast!." Wired, May 2006. Archived here. Also available at: http://www.wired.com/wired/archive/14.05/howto.html
*Wired. "The New Networks." May 2006. Archived here. Also available at: http://www.wired.com/wired/archive/14.05/networks.html
*Wired. "Watch This Way." May 2006. Archived here. Also available at: http://www.wired.com/wired/archive/14.05/watch.html
Jodi Kantor, Kantor_TheXLXS-Medium New York Times, October 30, 2005.
*Written shortly after the release of the video iPod, this article discusses the various uses, advantages, and disadvantages of large, HD screens and small mobile screens.
Page: CopyArt The Impact of Copyright on New Media Art
Page: Digital Sampling, the Mimetic Impulse and Appropriation in Modern Art
Page: Dragnet, Reinvented
Page: Expunged Criminal Records Live to Tell Tales
Page: Here's Looking at You, Kid Surveillance in the Cinema
Page: I Spy Doesn't Everyone
Page: Judge Hears Arguments on Federal Spying Program
Page: Lights! Camera! Vodcast!
Page: Marketers Trace Paths Users Leave on Internet
Page: Open Sources in Net Art
Page: Plunderphonics, or Audio Piracy as a Compositional Prerogative
Page: Postscript on Societies of Control
Page: Remarks on Appropriation Art
Page: Saving the World, One Video Game at a Time
Page: Slouching Towards Alexandria A Roundtable On Google's Library Project
Page: Text of Carlson
Page: Text of Doctorow, Microsoft Research DRM Talk
Page: Text of Garnett, Steal This Look, Spring 2004
Page: Text of Gladwell, Something Borrowed, Nov. 2004
Page: Text of Ippolito, Why Art Should Be Free
Page: Text of Jordan and Miller, Freeze Frame
Page: Text of Lessig, Copyright in the Digital Age, Apr. 2004
Page: Text of Lessig, Share Alike, Spring 2004
Page: The New Networks
Page: U R Bu5t3d!
Page: Visual Pleasure and Narrative Cinema
Page: Watch This Way
Page: When One Man's Video Art Is Another's Copyright Crime
Page: You've Got Someone Reading Your E-Mail